In love, everything becomes ancestral. This collection is about heritage in motion.

As more Indian men and women find love across continents, cultures, and genders, I find myself drawn to the quiet transformations taking place inside weddings. Cross-cultural unions are entering Indian tradition with humility.

“The New World” is my response to this moment: a bridal collection that leans into traditional silhouettes but is stripped of excess. The jewellery is edited, deliberate. The fabrics are still opulent, but the styling is more nuanced. The dupattas are lighter, sometimes even translucent. There is a dignity in their weightlessness.

This is not a dilution of culture; it is refinement. For these couples, their choices speak of initiation, not appropriation, presence over performance. Occidental preference to edit has found harmony with the oriental instinct to ornament. This is India; not inherited but chosen, which is the most modern act of all.

“Culture is not inherited through bloodlines but chosen through consciousness.”

“In The New World, The Occidental Preference To Edit Has Found Harmony With The

Oriental Instinct To Ornament.”

“To wear another culture with reverence is not to lose oneself, but to find new layers

of one’s soul.”

“The true miracle of modern love is not freedom. It is

the willingness to be shaped by the unfamiliar.”

"In a world flattened by monoculture, India still folds."